
Words Ann Christin SchubertImages Ann Christin Schubert, Michal Rzepecki, Vivek VadoliyaDate 29 April 2026
First, you descend Monte Albán’s terraces, then find yourself spooning up velvety mole, followed by just one more mezcalito—before a brass band spills into a plaza, accompanying an impromptu danzón or cumbia. This is your cue to taste more boldly: to seek the region’s famed cuisine, see where artisans still shape its textiles and ceramics, and wander further when the city begins to feel familiar.
Zapotec & Mixtec
Oaxaca’s main indigenous cultures, predating Spanish arrival by centuries. Their influence still shapes the region today, from language and textiles to food and daily life, making Oaxaca one of Mexico’s most culturally distinct states.
Word History
Oaxaca takes its name from the Nahuatl Huāxyacac, meaning “the place among the guaje trees.” The term reflects the region’s layered history, from Zapotec and Mixtec roots to Nahuatl and Spanish influences, still visible today in its food, language, and daily life.


Agave — In Oaxaca’s valleys, agave—espadín, tobalá, to name just two—grows in tight blue-green rosettes. This diversity underpins the state’s mezcal production, especially around Santiago Matatlán, where mature plants are roasted, crushed, distilled, and often poured with a story.
Alfonsina — Founded by chef Jorge León—a former dishwasher who went on to work at New York City’s Cosme—and his mother, Elvira, Alfonsina is a family-run kitchen with a five-course menu that shifts with the seasons. Vegetable-led and complemented by backyard-raised meat, each dish is tied to the producers who grow it and named accordingly.
Alebrijes — You’ll often see these painted wood carvings of animals and imagined forms, tracing back to villages like San Martín Tilcajete and San Antonio Arrazola. At Voces de Copal, the tradition shifts forward with intricate pieces rendered in bold color and patterns, or at Taller Jacobo y María with figures known as tonas and nahuales.
Almu — South of Oaxaca City, Almu Oaxaca sits open to the elements, with wood fires, clay vessels, and low tables set among the trees. Smoke, ash, and the rhythm of live-fire cooking shape the experience.
Bars — When the sun dips, Oaxaca leans into mezcal. Start at Selva for cocktails built around foraged ingredients and native spirits, then head to La Cueva Oaxaca for low light, eclectic energy, and often live music. End at Sabina Sabe, where mezcal meets modern mixology. Craving a fusion? Crudo offers an intimate omakase marrying Japanese technique with Oaxacan produce.
Carlos Couturier and Moises Micha, Grupo Habita


Chapulines, a local delicacy at Mercado Central de Abastos
Chiles — In Oaxaca, chiles are both sustenance and symbol: dried, smoked, and ground on stone. This state is home to more than 50 varieties, from Chile de Agua (charred) to Chile Costeño, which bring brightness to broths and salsas.
Chapulines — In the markets, you will spot these dried grasshoppers everywhere. Toasted on comals with garlic, lime, and salt, they are scattered over tlayudas or tucked into tacos.
Craft — Oaxaca is where craftsmanship thrives.
Santa Maria Aztompa
Just five kilometers from the center, this small town is known for its green-glazed pottery, a tradition dating back to the Monte Albán era. Visit Taller Ruiz López for pared-back plates and bowls, and to see the process up close.
At Galería Tierra Quemada, the work of Vicente Hernández reflects a life shaped by clay, and earth transformed into award-winning pieces through decades at the wheel and kiln.
At Cooperativa 1050°, 14 members—representing 50 potters across Oaxaca, Puebla, and Chiapas—center their work on people as much as place. “We’re a plant that lives for many years, growing slowly but steadily, without falling, even when strong winds blow,” they say. In their city-center shop, their hands shape pared-back ceramics, fired at 1050°C.

Marchanta, a concept store led by Sofía Jiménez Marrufo, brings together stunning contemporary and ethical clothing and bags from Latin American designers, with a focus on Mexico and Peru.
Tienda Q, set within Galería Quetzalli in Oaxaca, presents clothing, jewelry, and accessories by contemporary Mexican designers, pairing traditional techniques with current design while supporting emerging local talent.
Xico 303 is a considered edit of dresses, leather sandals, and other everyday pieces that draw on local styles and relaxed silhouettes and materials.
Led by Remigio Mestas Revilla, Los Baúles de Juana Cata works with artisans across the region on huipiles, blouses, rebozos, and other handwoven garments.
Miku Meko, founded by Aleli Hernández, unites a collective of female artisans producing jewelry, ceramics, clothing, and homeware. Tucked inside Mercado Sánchez Pascuas, the space opens onto a courtyard—just knock and enter.


Want to shop Teotitlán del Valle rugs or black clay from San Bartolo Coyotepec but don’t have time to venture further? Head to Aripo, supporting artisans for over 45 years.
Casa Viviana is a family-run workshop producing handmade beeswax candles for over five generations. Led by Doña Viviana, it creates traditional shell candles alongside forms shaped as flowers, fruits, and natural figures, while supporting local women through paid craft work.
Xaquixe, named from Zapotec for “at the foot of the mountain,” is a glass studio in Oaxaca producing handblown pieces from 97% recycled glass and using furnaces powered by reused cooking oil.
Don’t miss Andares del Arte Popular, a new six-room art marketplace with expertly made crafts from black ceramics to woven rebozos to pressed tin mirrors and ornamentals.

Drink: Need a pick-me-up? Oaxaca’s coffee scene is strong.
At Café el Volador, the only real decision is between a cortado, cappuccino, or pour-over. Maritos & Moglie Café doubles as a roastery with a quiet courtyard, while Muss Cafe inside Casa Antonieta serves coffee from Finca Las Nieves. At Onno, the focus narrows to one beautifully pulled espresso.
For something cozier, settle into Oa Studio, and stay for a cooking class.
Frijoles — You cannot eat in Oaxaca without black beans. Slow-simmered in clay pots until deep and silky, they appear mashed in tlayudas or served whole beside rice, finished with avocado leaf or a touch of lard.
Guelaguetza — Oaxaca’s great annual celebration takes place each July over two Lunes del Cerro on Fortín hill. Dance, dress, and music bring together the state’s eight regions, rooted in the Zapotec idea of shared exchange.

Hierve el Agua, pools and mineral springs outside of Oaxaca City
Hierve el Agua — Just over an hour from Oaxaca, Hierve el Agua pairs short, sun-baked hikes with cool, green-tinted pools and wide valley views. Mineral springs appear to freeze mid-fall into cliffside cascades.
Ixtlán de Juárez — High in Oaxaca’s Sierra Norte, Ixtlán de Juárez pairs cool mountain air with pine forests and a strong Zapotec identity (it’s proudly self-governed). A pioneer of community-run forestry, it’s a benchmark for low-impact travel. Hike forest trails with local guides to learn traditional land stewardship, slip into a temazcal, and browse small workshops for woodcraft and textiles.
Jardín Etnobotánico de Oaxaca — Behind the walls near Santo Domingo, this two-acre garden gathers Oaxaca’s native plants—think cacti, trees, and flowering species—from across the state. Visits are by guided tour only.
Kiyo Cafe — A stylish café for ideas frescas, Kiyo pairs specialty coffee with art, design objects, and a small boutique.
Kahlúa — Produced in Mexico, this velvety coffee liqueur makes a sweet counterpoint to Oaxaca’s smokier spirits. Look for it in riffs like the Oaxaca Old Fashioned or Wake Me Up Oaxaca.


Sunday’s Tlacolula Market, drawing farmers, cooks, and artisans from across the region
At Levadura de Olla, chef Thalía Barrios draws on research from rural Oaxacan communities to shape a menu rooted in ceremonial dishes, seasonal ingredients, and regional drinks.
Mole — In Oaxaca, seven types of mole—negro, rojo, coloradito, amarillo, verde, manchamanteles, chichilo—only begin the story of mole (recipes shift by family and region). Negro is celebratory: dark, smoky, edged with chocolate. Rojo leans savory and bright; coloradito bridges both. Amarillo comforts, verde lifts with herbs, while chichilo and manchamanteles are rather bitter, fruit-soft, unmistakably Oaxacan.

Mole negro: with turkey or chicken, served at weddings and festivals
Mole rojo: with enchiladas, chicken, or pork
Mole coloradito: on chicken, often with rice
Mole amarillo: with empanadas de amarillo or chicken
Mole verde: on pork, especially ribs or espinazo
Mole chichilo: on beef, slow-cooked and deeply savory
Mole manchamanteles: with pork and fruit, stew-like and vibrant

Color, craft, and conversation spill through one of the region’s oldest trading traditions at Tlacolula Market
Mercado — Central de Abastos is where chefs, vendors, and home cooks source ingredients from across the Valles Centrales—with piles of chiles, herbs, maize, and meat arriving in constant flow. Stay for the comedores: dishes like miltomate memelas topped with tasajo, green mole empanadas, barbacoa, and cabeza de res tacos; all served quickly, without ceremony.
Mercado Benito Juárez and Mercado 20 de Noviembre are also worth a wander, while Sunday’s Tlacolula Market draws farmers, cooks, and artisans from across the region.
Maiz — As one of its earliest centers, Oaxaca sustains diverse native corn varieties—each tied to land and season—and has underpinned daily life over millennia. The work is carried out by women, who nixtamalize kernels at home before taking them to neighborhood mills. Head to Itanoni, a restaurant fighting to preserve heirloom corn, one tortilla at a time.
Museo — Trace the depth of its indigenous heritage at institutions across the city.
At the Museo de las Culturas de Oaxaca, housed within the former convent of Templo de Santo Domingo de Guzmán, the story spans from ancient civilizations to the present, anchored by the weight of place. A more intimate reading emerges at the Museo de Arte Prehispánico de México Rufino Tamayo, where Rufino Tamayo’s collection of Mesoamerican objects is arranged outside chronology, allowing form and material to speak across time.
At the Centro Fotográfico Manuel Álvarez Bravo (named for Manuel Álvarez Bravo), exhibitions, archives, and workshops map the evolving language of photography, supporting both established and emerging voices. Finally, the Museo de Arte Contemporáneo de Oaxaca (MACO) places contemporary practice within a historic frame, linking current artistic expression with the region’s enduring creative traditions.
Nicuatole — A traditional Oaxacan dessert made from ground corn, sugar, and fruit, slowly cooked and set into a firm, sliceable form and often flavored with ingredients like mango, coconut, or panela.
Oaxaca State — This part of southern Mexico, where mountains, valleys, and Pacific coastline meet, is home to around four million people, spans eight regions and 16 indigenous groups, shaping one of the country’s most diverse cultural landscapes. Climate shifts from temperate highlands to tropical coast, with seasons defined by dry winters and summer rains.

Monte Albán, ancient pyramids just outside Oaxaca City

Carlos Couturier and Moises Micha, Grupo Habita
Pyramids — Set high above the valley, defined more by presence than scale, Monte Albán offers something different (yes, really), even if you’ve been to Chichén Itzá or the pyramids outside Mexico City. Nearby, Mitla shifts inward, its stone mosaics reflecting later Mixtec influence. Together, they trace Zapotec and Mixtec continuity across the region.
Pan — Oaxaca’s bread scene is hot. Pan Con Madre leads with long-fermentation sourdough, Bodega keeps things grain-focused and design-forward, and Boulenc—part bakery, part café, part hotel—anchors it all with naturally leavened bread and simple, well-sourced food.

Mercado Benito Juárez, open daily for grilled dishes

Quesillo — This white, mildly salty cheese is known for its long, ribbon-like strands, wound into a ball like yarn. A stretched-curd cheese from Oaxaca’s Central Valleys, it’s called “queso Oaxaca” or “queso de hebra” elsewhere—but locally, simply quesillo.
Restaurantes — With food the soul of this region, where do we even begin?
Los Danzantes is a polished, Michelin-starred favorite for modern Oaxacan cooking, where tradition meets a farm-to-table mindset.
Nois, led by chef Rodrigo Amaury, takes a more playful route, blending Oaxacan ingredients with contemporary technique in a Michelin-recognized setting.
Cesca, a forthcoming opening from Saúl and designed by Lucía, looks set to join Oaxaca’s new wave of stylish dining rooms.
Labo Fermento is part restaurant, part experiment, where Joseph Gilbert applies Asian fermentation techniques to Oaxacan ingredients through house-made miso, shoyu, kombucha, and more.
Las Barbacoas de México, also by Alejandro Ruiz, goes deep on barbacoa: slow-cooked lamb, beef, and pork prepared in the time-honored underground style.
La Otra Popular is lively, easygoing, and ideal for tacos, seafood, and comforting local staples with a crowd that spills from locals to in-the-know visitors.
Casa Oaxaca, led by chef Alejandro Ruiz, remains one of the city’s classic tables, best known for rooftop views and elegant plates rooted in local flavors.
Restaurante Coronita is the place for a grounding dose of tradition, with tastings of the seven classic moles and recipes kept alive across generations.

Tlayudas La Chinita, a food stall renowned for this local dish



Santo Domingo de Guzmán, sitting tall in Oaxaca City's main square
Santo Domingo de Guzmán — Rising from a wide stone plaza, Santo Domingo’s Baroque façade gives way to an interior dense with gold and carved detail (a sharp contrast to the light outside). Begun in 1572 as a Dominican monastery, it now functions as both church and museum.
Tlayudas — One of Oaxaca’s most recognizable dishes, tlayudas arrive wide as plates, crisped over open flames. Beans and asiento form the base, layered with quesillo, meat, avocado, and cabbage—folded or left open, eaten late, often standing. At Tlayudas La Chinita, the griddles run steady, drawing a constant crowd.
Tacos — Though from central and northern Mexico, tacos are constant here, too. Best eaten roadside, on a low stool, they come together in quick, practiced movements. Stops like Tacos del Carmen, Tacos de Cazuela Tia Chave, and Tacos El Sireno keep it direct: short menus, steady pace, assembled one after another.
El Árbol del Tule — Just outside the city, this Montezuma cypress spreads wider than seems possible, its trunk over 40 meters around. More than a thousand years old, it anchors the square of Santa María del Tule.


El Árbol del Tule, just outside the city
Utensilios de Barro — Clay cookware is the backbone of Oaxacan kitchens, with comales, cazuelas, and ollas shaping flavor with slow, even heat. Earthy, porous, and timeworn, they lend depth you can taste. Find them in markets across the city, or head to San Bartolo Coyotepec for black clay pieces with their signature burnished sheen.
Villa de Zaachila — A short drive south of the city, this former Zapotec capital trades crowds for authenticity. Come for its low-slung ruins and working market; stay for barbacoa, hand-pressed tortillas, and a glimpse of everyday Oaxacan life.
Velas — Candlelit and kinetic, these Isthmus-born fiestas blur devotion and spectacle, honoring patron saints while celebrating community and identity. Expect night processions, brass bands, and calendas, with women in embroidered Tehuana dress, flowers piled high, candles flickering. These are held year-round, though the biggest are in May.


Weaving — Less craft than language, threads here carry Zapotec symbols, stories, and place. In the city, Museo Textil de Oaxaca offers a sharp primer on natural dyes, backstrap looms, and regional motifs. For the real thing, check out Origen Textil, a women-led textile brand only working with local weavers, and Teotitlán del Valle—the epicenter—where family workshops spin, dye with cochineal and indigo, and weave on pedal looms.
Xocolatl — Slightly bitter, spiced, and foam-topped, Xocolatl may become your go-to drink. Here, cacao runs through daily ritual—tejate, cool and floral; champurrado, thick and warm; pochotl, crowned with foam and sipped, then eaten—alongside chocolate Oaxaqueño, stone-ground with cinnamon.
Yagul — Set among the low hills of the Tlacolula Valley, this UNESCO World Heritage archaeological site is less monumental than Monte Albán, but no less layered. Its terraces and courtyards unfold against stunning views of the surrounding landscape.
Zócalo de Oaxaca — The UNESCO-listed main square that hums with life, where locals and travelers gather for music, street food, and an easy pulse of daily culture. Kiosco is the bandstand at the heart of it, where brass bands play, couples circle, and the city gathers after dark.
Zanduga Sabor Istmeño — At this restaurant, the story begins and remains with Aurora Toledo. Raised in Ixtaltepec, her cooking is rooted in her heritage—the ingredients, rituals, and importance of communal meals.
