Nobis Hotel Copenhagen

Rooms 75   Architecture Martin Borch   Interior Design Wingårdhs Architects
The Original Alessandro Catenacci

Hotels Facts & Figures
Rooms
75
Architecture
Martin Borch
Interior
Design Wingårdhs Architects
The Original Alessandro Catenacci

The result is a masterclass in marrying old and new: original architectural elements—such as the wood and marble staircase—and motifs have been preserved and restored, delicately emphasizing every detail of the grand design.

ARCHITECTURE

Wingårdh Architects

Tasked with overseeing the evolution of the property, star architect Gert Wingårdh and his team at Wingårdh Arkitekter sought to pay homage to the storied building’s roots while adding his own signature touches. The building’s imposing sense of space and elaborate, elegant detailing gives the interiors a natural grandeur.

ARCHITECTURE
Wingårdh Architects

Tasked with overseeing the evolution of the property, star architect Gert Wingårdh and his team at Wingårdh Arkitekter sought to pay homage to the storied building’s roots while adding his own signature touches. The building’s imposing sense of space and elaborate, elegant detailing gives the interiors a natural grandeur.

The result is a masterclass in marrying old and new: original architectural elements—such as the wood and marble staircase—and motifs have been preserved and restored, delicately emphasizing every detail of the grand design.

INTERIOR DESIGN

Modernism meets Classicism

While emphasizing the 1903 structure’s original architectural details and décor, Wingårdh’s added superior-quality natural materials, such as various marbles, stone, wood, and glass, with a subtly elegant color scale that includes beautiful green accents. In a contrast of styles, Wingårdh also created bold yet elegant looks that were inspired by Le Corbusier’s Sainte Marie de La Tourette monastery from the late 1950s.

Creative melodies still abound at this former royal music conservatory in the form of spacious rooms and large suites all artfully designed with a mix of Swedish and Danish sensibilities. The rooms, painted in soothing, richly saturated green-blue tones, all have massive chevron-patterned wooden parquet floors and high, white-painted windows with crossbars as centerpieces.

INTERIOR DESIGN
Modernism meets Classicism

While emphasizing the 1903 structure’s original architectural details and décor, Wingårdh’s added superior-quality natural materials, such as various marbles, stone, wood, and glass, with a subtly elegant color scale that includes beautiful green accents. In a contrast of styles, Wingårdh also created bold yet elegant looks that were inspired by Le Corbusier’s Sainte Marie de La Tourette monastery from the late 1950s.

 
 

Creative melodies still abound at this former royal music conservatory in the form of spacious rooms and large suites all artfully designed with a mix of Swedish and Danish sensibilities. The rooms, painted in soothing, richly saturated green-blue tones, all have massive chevron-patterned wooden parquet floors and high, white-painted windows with crossbars as centerpieces.

INTERIOR DESIGN
Modernism meets Classicism

While emphasizing the 1903 structure’s original architectural details and décor, Wingårdh’s added superior-quality natural materials, such as various marbles, stone, wood, and glass, with a subtly elegant color scale that includes beautiful green accents. In a contrast of styles, Wingårdh also created bold yet elegant looks that were inspired by Le Corbusier’s Sainte Marie de La Tourette monastery from the late 1950s.

Creative melodies still abound at this former royal music conservatory in the form of spacious rooms and large suites all artfully designed with a mix of Swedish and Danish sensibilities. The rooms, painted in soothing, richly saturated green-blue tones, all have massive chevron-patterned wooden parquet floors and high, white-painted windows with crossbars as centerpieces.

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