Further is a traveling hospitality laboratory through which we transform hotels across the globe into temporal hubs of cultural exploration.
Since Portugal charted its course as a land of explorers centuries ago—the world’s most robust fleet of ships at its ports—Lisbon has been home to those seeking new frontiers. Today, rather than nations in no need of discovery, that new world is web3 and its explorers are the start-up founders, builders, and digital artists who are, at this moment, creating the future of the web for the rest of us. Thanks to a favorable ecosystem and the centrifugal force of the annual Web Summit conference, many of these actors have made their home in Lisbon. “With the new reality that you can work anywhere,” says Rodrigo Machaz, the owner of Memmo Hotels, “it’s creating a melting pot of cultures and innovation and bringing in really creative minds.”
But walking the streets, we find that Lisbon does not feel like an epicenter of the tech universe—rather, it’s distinctly of this earth: The city is lively and vibrant, with expats and locals young and old buzzing about sunny streets. The iconic, tile-covered facades glint in the light, making a home for coworking spaces to classic tabernas. Despite the rapid growth and influx of expats, the city has remained distinctly itself. At Further, we were eager to learn what Lisbon can teach us about how to step into the new digital world while staying rooted in our own.
“I’ve worked in the physical art world for the past 14 years, but I got into the digital space because I think it can bring us so much more impact in the arts,” says Pauline Foessel, the founder of Artpool, a platform that aims to make the digital art space more accessible to creators and buyers. Art enthusiasts can discover quality works curated by leading art professionals and purchase them in the form of an NFT. While the value lies in the NFT—a contract on the blockchain that proves ownership—the buyer can print the work to hang in their home. Even as she expands the bounds of digital art, Foessel says, “You still need to go to the museums, walk in the streets to see street art, go to galleries. I think art can be everywhere.”
Blockchain technology, new digital art mediums, and the NFT market come with big promises: a more inclusive and equitable landscape for creators and collectors, a stronger sense of ownership of our own data and creations, and customized experiences that far exceed today’s limits. As Foessel told us, “It's complex, but I think the more creators there are in the space, the more tools there will be for people to get on board without any complexity.”
Amid the heady world of web3, Pauline Foessel, founder of the industry-disrupting art platform Artpool, has a way of bringing digital art back down to earth.
Among these creators is neuroscientist and psychologist Francisco Marques-Teixeira, who founded MuLabs to explore how art and technology can impact health and well-being. Through MuLabs and its spin-off MuArts, he uses sensors to show people their own emotions and uses music and visual art, which he calls biometric art, to translate those emotions. “We want to mainstream this technology and we believe that art is the best way to do this, because people connect with art,” Marques-Teixeira tells us.
Along with artist Carlotta Premazzi, neuroscientist, psychologist, and co-founder of MuLabs Francisco Marques-Teixeira is translating the range of human emotions into art.
At Further Lisbon, MuLabs arranged a performance of this technology in partnership with multimedia artist and designer Carlotta Premazzi. In the piece, Premazzi stands at the center of a fabric-wrapped cube while the screen comes to life with a visual interpretation of her state of mind while a musical interpretation plays overhead. “I used to draw when I was younger, but video art and live mixing is my medium because I can escape from reality. Now, I paint with my computer.”
Ultimately, Marques-Teixeira hopes that this technology can help people gain awareness about themselves and even enhance their abilities. “My favorite thing about what I do is helping people know more about themselves and understand how they act and how they react to the world.”
Francisco Marques-Teixeira is a neuroscientist and the founder of MuLabs, a Lisbon-based start-up that blends the latest developments in neuroscience with art. MuLabs processes brain information in real time and feeds it into a digital or physical interface. Through this representation of their thoughts via biometric art, users can better understand how they react to the world and learn how to transform their minds.
Carlotta Premazzi is a Lisbon-based artist and designer. Her research deals with the analysis of the mutagenic properties of the collective person in relation to new technologies and various ideological systems imposed by the dominant culture, as well as the individual. The imaginary is expressed by video, installation, and real-time performance, including her collaboration with MuLabs’ Voxel Cube at Further Lisbon.
Pauline Foessel is a curator and entrepreneur who shaped her understanding of the global art landscape as a director at art institutions, galleries, and studios. She is the founder of Artpool, which harnesses blockchain technology to create a space for curators and artists to connect, collaborate, and share their work while generating revenue through selling art editions as NFTs.
Ana Renata Polónia is a Portuguese architect and performance artist. With a master’s degree in architecture from Faculdade de Arquitectura da Universidade do Porto and advanced trainings in choreography, Polónia is uniquely poised to dissect our relationship with space. At Further Lisbon, Polónia analyzed the history of a traditional bakery and shifted our group from the physical realm to an imagined one.
The artist Dadara draws upon his decades-long career of painting, illustration, performance art, and new digital mediums to explain how we got here. He sees his work as a “tweaked mirror” that reflects our society, blurring the lines between reality and fantasy. “Perhaps a black mirror,” he says, “but one that has a rainbow at the end.”
Like Premazzi, Portuguese performance artist and architect Ana Renata Polónia believes that technology has the power to enhance creativity. “I think it’s interesting for artists to do a little of everything—to know a bit about video, photography, NFTs, or whatever it is because this opens a lot of possibilities and you can work with very quick tools. This can bring another dynamic to the world—I think this is happening already.” At Further, Polónia analyzed the space we were standing in, a former bakery, and reimagined it through an installation that included dance, spoken word, video projection, and sound, helping to shift our minds from the physical realm to an imagined one. While technology is key to her work, the body remains essential to Polónia. “It’s like a somatic practice—I have to balance the speed of production, technology, and everyday life.”
With its physical cultural scene richly intact and nature on its doorstep, Lisbon reminds us that we can, and should, maintain a connection to the physical realm. “DVDs didn’t kill cinema, and NFTs are not going to kill physical art. It’s just one more possibility to do cool stuff,” the artist Dadara says. At Further, Dadara walked us through his journey through mediums, which spans drawing, performance art, and now, digital art. “In Silicon Valley, tech feels really far away from the soul and from art. But to me, it seems that in Portugal there’s this vibe where tech is connected to the human soul.”
As much a social center as a hotel, this Lisbon renegade brings creative locals to the forefront, connecting the visitor to the pulse of the city and the neighborhood.
Embedded in one of the city’s most lively neighborhoods—amid botanical gardens, tranquil squares, and a vibrant social scene—Memmo Príncipe Real is grounded in its surrounding community.